Since I’m Not Popular, I’ll Change My Image a Bit
Dat OP. Continue reading
Since I’m Not Popular, I’ll Change My Image a Bit
Dat OP. Continue reading
In the not so distant future, on the world line 1.048598, another sci-fi adventure is starting. After the amazing success of Steins;Gate, Robotics has a big footstep to follow in, and I hope for god that it’s 2-cours so that it doesn’t end up like Chaos;Head. With all these expectations and problems weighing heavily on my mind, it’s time to give this a whirl.
Well, you know. It’s not a show about adults, so I was rather worried that they’d go overboard and make it rather stupid. They actually managed to show a school setting in action and a school setting that didn’t suck, at that. The characters have a quirk that makes them likeable, and there’s plenty of room for development. The plot is ambitious and open, and there’s a lot they can do with this now. At the risk of sounding like a broken record, everything depends on how long this manages to become. It may not have had the gripping start that Steins;Gate had, but it definitely had that feeling to it…that feeling which I can’t wait to see again next week.
As a huge fan of Urobuchi Gen’s writing, I can’t deny I’ve come into Psycho-Pass with rather high expectations to say the least. If something was apparent in this first episode, it’s that this is quite the ambitious series, featuring an amazing premise that promises to touch on interesting moral issues brought to light by the setting of a near future in which technology has developed to a point where most crimes are prevented before they happen through the monitoring of the citizens’ Psycho-Pass.
“A world where humans’ state of mind and the tendency of their personalities can be quantified. While all sorts of inclinations are recorded and policed, these measured numbers used to judge people’s souls are called Psycho-Pass.”
In a world in which everyone is carefully monitored through a widespread scan system, we meet Tsunemori Akane, a rookie detective, straight out of the academy. As she walks into her first case and introduces herself, we can detect a mix of seriousness, confusion, idealism and naivety. We’re then introduced to a cast of characters: a CID inspector, who bluntly tells Akane she won’t be getting any special guidance despite it being her first case since they’re unfortunately understaffed; and a group of Enforcers, people whose Psycho-Pass readings are high and were deemed as latent criminals, yet are helping out (aka. being used) in catching similarly labeled people.
She’s then given a stylish looking gun – the Dominator – and told to help capture a guy who had shown high readings in a street scan but refused to take “therapy” and run, kidnapping a hostage in the process. Focusing on the gun, I find it to be a quite cleverly built device. It has a built-in Psycho-Pass reader which determines the dangerousness of the target, only releases safety when such readings are in the criminal range and even switches between paralyzing and killing mode. Of course a while it is impressive in itself, it’s definitely a concept one has to question, and I found Akane’s surprise when they so naturally told her to “just shoot” if the gun said so.
Only up to here, we’re already presented with a fundamental question humans’ relationship with technology. It’s no doubt that we’ve progressively come to rely more and more on it, using the computing capability to solve logical questions and becoming dependent of the more practically-inclined machines. Ultimately, they are indeed built with our knowledge, and make decisions according to the algorithms and parameters we programmed them with. But can human nature be completely perceived through simply logical means? Aren’t we a bit too complex for that? A state of mind can have an origin, be simply a fleeting reaction to something, so would a judgment made based on a single moment be completely reliable? Is trusting those numbers without any kind of critical attitude whatsoever a wise choice? Even people who had, for sure, they’re lives changed due to those readings without having done anything accepting those as natural proceeding sure was interesting.
Another issue came to mind when we see the madness their target seems to have delved in and the short telling of his past. Apparently he was a rather normal guy who tried to live according to society’s rules and moral patterns. Such a normal guy ended up undergoing such a drastic change. And the question is why. The answer as to what triggered that is obvious – the street scan and how it meant he should be captured and attend therapy. But would he have eventually done the same if he was just left alone? I’m someone who thinks human nature is ultimately selfish (it’s not something I accept as a fact, argue if you want), and as so, I find it that he was living as he could conform, choosing the most beneficial course for his life, as most of us actually do. He might have actually naturally had some inclination towards, but the environment conditioning plays a huge part in human behavior, so there was no guarantee he’d ever actually commit a crime. What having been detected by the scan as a latent criminal did was actually change that conditioning environment into exactly the opposite – as someone who’d lost pretty much any chance of a normal life, he simply decided to fulfill the expectations laid upon him. In which case the intention of preventing a crime had the exact opposite effect – one apparent flaw in this social system as introduced so far.
Something that actually picked my curiosity was how the guy seemed scared of the so called “therapy”. I’m not inclined to think it’s actually something harmful in itself, but I think there might be something unpleasant attached to this rehabilitation.
Moving on, the next issue worth discussing is actually tied to the victim – the hostage. It is said that high Psycho-Pass readings are contagious. That’s not a surprising statement, as we know from our own real-world society that many criminals are themselves past victims of similar crimes, shaped by their traumatic experiences. Now the interesting bit is that we don’t know exactly what kind of impact such an experience will have on a particular individual. And to bring back my point from before, humans’ state of mind is highly volatile. When we’re desperate and in panic, it’s natural to act out of instinct, not to follow sheer logic and to be afraid of everything around us. And let’s just brief through what that girl went through – she was beaten up, raped, convinced in her fragile mental state that she would be hunted just like her perpetrator and then saw said guy literally explode in from of her eyes. After that, the people who did that point a gun at her. Pretty scary and fear-inducing, don’t you think? My point is I don’t think her Psycho-Pass reading at that very moment could be perceived as reliable. It was specially not reliable when it switched into lethal mode as she had been pushed further into desperation by being cornered by Kougami, yet the Dominator doesn’t take that into consideration, only processing the numbers it was programmed to analyze. That’s why I think Akane’s way of thinking wasn’t unreasonable at all.
I think being introduced to this world through her eyes was quite the right decision in terms of storytelling. Out of all the cast, she’s the one who yields a moral code most similar to us, in that she thinks of people as not being guilty before actually committing a crime and even questions herself about the Enforcers being latent criminals (especially since, besides Kougami, they all seemed pretty normal people). Yes, I thought she was rather reckless and naïve when she stooped Masaoka from firing the paralyzer, but as only the person who wields it can hear the Dominator, we can guess she thought he was going to kill her, not to mention she must have also been shocked after seeing the guy explode, as it was her first time in the field.
In fact, I believe I’m delving so much into this due to all the Akane hate I’ve been seeing around the Internet while all attitude and values are both justifiable by her circumstances and agreeable to most individuals (or at least should be – the amount of people who I’ve seen claiming that the victim should just have been shot dead actually scare me). Anyway, back on the point, she was simply doing the natural thing and trying to calm the victim down, which she actually managed to after having shot Kougami, managing to drop the Psycho-Pass reading enough so the Dominator’s paralyzer mode would be active instead. Also, I actually have the suspicion that Kougami’s intention from the very start was to be shot. He didn’t shoot the victim right away, rather waiting for Akane to catch up, he stepped on the petrol, perhaps to make her less likely to commit suicide (for she’d be potentially taking someone else with her), and he said something to Akane. Something we don’t know of yet, but could very much be to shoot him, which would raise Akane’s credibility in face of the victim and possibly allow her to calm her down. If that was the case, not only are Akane’s actions more understandable, but we also receive some kind of insight onto Kougami’s character. Whether this is what happened or not, we’ll probably find out next episode, but for now that’s my reasoning about it.
Speaking of Akane, yet another issue brought up is the contrast between training and a real job. Well, in this case it was mentioned as the contrast between the safe academy in which Akane scored the highest and the grim, unforgiving world which throws away any ideologies and works in a completely different and unreasonable way. However, that can be extended to pretty much every kind of job. Simply being good in theory doesn’t equal to being good in the real thing, especially in something that requires certain personality traits and abilities not directly related to raw knowledge. Due to this and to her idealistic attitude throughout most of the episode, I’m expecting some good character development on Akane’s end.
So, now that I’ve spoken my mind about the thought-provoking concepts and events this series showcased so well, it’s time I take a small peak into the remaining characters. None of them are explored much throughout the episode, which didn’t need such to succeed anyway. But characters are always a rather important element any story, I hope they are more than stagnant individuals. For now, at least, they’ve got my interest, especially the Enforcers. As I’ve already mentioned before, they all seem like normal people. You’ve got Masaoka, a rather gentleman-ish old guy with a prosthetic metal hand (or arm?), Kagari, the flirting type and Kunizuka, with a seemingly business-oriented attitude. Only Kougami seems a little more dangerous with his cold personality. Of course there must be more to all of them, since they Psycho-Pass readings weren’t just borderline, but actually rather high, even though they were in completely stable states. As to what that really has to do with their personalities and what exactly is the quirk with each of them, it’s early to find out but I can only hope it’ll be explored later in the series.
Other interesting things that we can all but loosely speculate about at this point but we’ll surely be give explanations sooner or later are the opening scene, with Kougami and a white haired man confronting each other after Kougami just fought with someone in a strange suite, which purpose I’m still wondering about; and the mention of Sybil, which seems to be the supreme authority over the city and is probably, judging by the theme of this series, a system, rather than a person. I’m looking forward to know more about both of aforementioned subjects, but I’m sure such information will come in due time, and overanalyzing something without enough elements to do so is largely useless, which is why I won’t get too deep into it.
In the technical department, Psycho-Pass didn’t disappoint either. But well, while Production I.G. hasn’t been in its best shape when it comes to story presentation, they’ve kept themselves on the top when it comes to visuals. Psycho-Pass is no exception to that, featuring high production values with breathtaking results. Let’s just say that technologic grim world looks wonderful. I also loved the OP song, which is undoubtedly very fitting of this series style. The few bits of action we did get were well animated too and the CG used blended in quite well.
In sum, I could say this was nothing short of a brilliant start. As I mentioned in the first paragraph, this series premise is an ambitious one. However, at least in this first episode, they were capable of doing it justice. Though-provoking and flawlessly executed, the concept shone as much as it could, so let’s just hope this quality can be maintained throughout the series. I’m expecting great things of it.
The Snake That Admires the Heavens
The first season of Jormungand managed to bring a whole new charm to the mercenaries genre. Be it the well executed character development, the witty and thought provoking dialogs or the impressive amount of foreshadowing regarding some characters’ pasts, Jormungand managed to distinguish itself from other series in the genre in quite the positive way without foregoing the mandatory (not to mention quite entertaining) action scenes. However, even if noticeable in its subtlety, foreshadowing is useless in itself if its realization doesn’t come to light and a story without resolution is completely underwhelming. Due to that, this season better leave up to my expectations and keep up the quality of last one. Something that, judging by this first episode, it’s not going to have much difficulty in doing.
How much time passed between the events of the first season and this episode is unclear. Johan seems to have grown a little, but it could simply be an inconsistency in character designs. Either way, such information is barely any relevant, and the important thing is how the episode opened: with the HCLI launching 126 satellites with the purpose of establishing a communication monitoring network all over the world and the excuse of supporting the American GPS system. Seriously, who’d buy that? 126 satellites for support – that’s ridiculous. Of course everyone knows it’s an excuse, which makes me wonder exactly what powers are at work there. Not to mention how it ups even more my already great curiosity about Koko’s father, who seems like quite the powerful individual who never shows face. Kind of like a puppet master. I’d really like to know more about him. …and about Koko herself, whose personality is the recurrent theme of conversation throughout the episode. Be it Johan mentioning how dangerous she seems or R and Cheif Black from CIA talking about her past reaction to the hypothesis of being “a dragon”.
Speaking of which, the suspicions left in the air by one of the last scenes we’ve seen last season about R being an undercover CIA agent are now confirmed. However, it seems he hasn’t been finding out much of what he wanted to know, as Koko is a true master of deception. I find it interesting how he said she’d change, hidden her true self, after he joined her personal squad. Was she already suspicious of him? Had she always been like that? Was the death of her comrade or some consequence of it what triggered such behavior? I can’t help but speculate about her past, because of all the main cast, it’s the one that remains most shrouded in mystery.
Character speculation aside, we’re shown this episode a grand-scale operation is underway – Operation Undershaft. The CIA is certainly involved, as seen in the aforementioned conversation, but it’s not the only party involved. We’re introduced to a character, a clear antagonist, named Hex. A woman with no qualms about using her body to get what she wants, though without ever dropping a fear-inspiring attitude. We see her going to a certain place to extract information about Operation Undershaft from a mafia-looking guy. The interesting thing is… Koko Hekmatyer is the target of said operation. Other interesting information would be the mentioning of a “he” and the fear in the man’s words while asking if Hex would go “against him”. It really is strange that there is someone powerful enough to gather different influential parties for an operation centered around Koko, an arms dealer who doesn’t really seem all that threatening (she’s even working under her father too). In fact, the purpose of the operation in itself is a mystery, since its goal is not to murder Koko. That’s Hex’s goal, though, which will bring an interesting third faction to the table. She seems to hold a grudge about Koko, who actually also mentions her this episode. I’m looking forward to how things will develop in this arc.
Something else I’m surely really happy about seeing is that Karen Low is now working for Dr.Miami. (Seriously, Dr.Miami is one of the weirdest characters I’ve seen to date. And she’s freaking scary, too.) I sympathized with her a lot towards the end of last season, so I’m hoping to see more of her now that she’s back in the action. The showcase of her rivalry with Valmet in the ship was quite funny too, especially since they’re technically now on the same “side”. Even though there is no such thing as a clear “side” in this series.
From character interactions to intricate setting exposition and developments, this episode definitely nailed everything I liked in the first season. The only thing missing was certainly the action, but as a series that’s already established itself, that’s not mandatory in the first episode, not to mention that we’ll get plenty of it next episode, if the preview is anything to go by. For now, I couldn’t have enjoyed this build-up episode much more than I did, for I can say I’m satisfied with how we jumped back into this very good series.
As an end note, both the OP and ED were quite good songs, specially the OP, which is just as good as last season’s one and something I really enjoyed listening to. For now, I’m definitely looking forward to know more about Operation Undershaft.
The first thing that came to my mind here was Fruits Basket—ordinary girl becomes homeless and moves to a not-so-ordinary house with magical/supernatural beings. And what do you know, they have the same director (Akitaro Daichi). For the record, I was obsessed with Fruits Basket when I was in middle school. It had dozens of charming, memorable characters with a great balance of comedy and drama. Perhaps the biggest similarity between both shows so far is the comedy, but why does it feel so…annoying here?
Now, it’s actually pretty cool that the girl becomes God of the shrine and makes a contract with a youkai/bishie. I’m interested in why the former master left for twenty years and decided to give her the job. The only problem I have is that this episode is nothing but Looney Tunes from beginning to end. It doesn’t help that the creatures are shouting constantly in high-pitched, squeaky voices. Almost gave me a headache. xD
I’m still going to give this series a chance though. After all, I didn’t get hooked on Fruits Basket until more characters were introduced and the drama kicked in. As far as blogging goes, probably not…
There have been quite a few anime about video games lately, most recently Accel World and Sword Art Online, which are both set in a virtual reality world. But I wouldn’t exactly lump Btooom in the same group, rather, it reminded me much more of Gantz and Bokurano. The atmosphere is dark, and the players are still in the real world, trying to survive a nightmarish game that they were forced into playing. I must say, I love love love these types of shows, so Btooom was an instant hit with me.
The story follows an unemployed, 22-year old named Ryouta, who is addicted to playing Btooom, a survival fighting game that uses a variety of different bombs as weapons. He prides himself in being one of the top 10 players in the world, ignoring his mother’s plea to get a job and sometimes becoming violent with her. When he accepts a challenge from another high ranked player, he suddenly seems to black out. Next thing he knows, he’s stuck high up in a tree in the middle of a jungle.
I really enjoyed Ryouta’s fearful reaction to the insects, the green stone buried under his skin, and the bombs. His awareness is sharp, but it takes a while for everything to really sink in. It isn’t until a man seriously tries to kill him that he realizes he’s playing the real-life version of Btooom. Yikes! Although he can’t remember how he got there, we get small hints through flashbacks of mysterious men approaching him and giving him an interview. Ryouta ultimately manages to kill his opponent through some good ‘ol ingenuity, but the experience leaves him shaken.
The very next day, he catches sight of a beautiful blonde (oh here we go) bathing herself at a lake. I guess some things never change—the male protagonist must have a sexy female companion. Looks like there’s going to be a lot of fan service too. I just hope it won’t take away from my enjoyment. For now, the story, art/animation, and character designs are very appealing to me. Ryouta’s a bit of a jerk, so this game better shape him up. :3
Eye-candy? Bishies? An all-star cast of seiyuu? Count me in!
Now this is a rather interesting project from GoRA, an “innovative creator group” of light novel authors. The anime obviously has a lot of talented people involved, including director and character designer Shingo Suzuki (Mardock Scrambe), and Japanese artist Angela (Fafner, Stellvia OP theme songs)…not to mention all of the seiyuu, with Mamoru Miyano being my favorite! *is super unique* So, we all know that this looks very very very pretty, but what about the story? Is there more to it than beauty?
First we’re introduced to a peculiar party of men walking down the street with a little girl dressed in lolita fashion. Whoever they are, it soon becomes apparent that they are far from ordinary. In their mission to find a certain someone, they engage in a fight of super powers against a group of swordsmen, with giant, ancient swords appearing in the sky. Then the anime skips to the life of a carefree high-school student and his cute little kitten that occasionally turns into a naked woman (uhhh….).
Although the boy seems completely harmless, he finds himself being chased by the gang, only to be saved by a swordsman who wants to take his life instead. The swordsman reveals himself to be a vassal of the seventh king, here to slay the “evil king.” How could this poor, clueless boy be the evil king? Well, there happens to be a video recording of him calling himself the seventh king right after killing someone. A fake? An evil twin? Multiple Personality Disorder? Who knows.
So yeah, this is crazy and may wind up not making any sense like Guilty Crown. At the very least, it promises to be a delicious treat. I enjoyed the creativity, visuals, and animation in this episode and can’t wait for the war of the seven kings to continue! This is going to be fun to blog. =)